‘Wherever I am, there’s always Pooh, There’s always Pooh and Me. Whatever I do, he wants to do, “Where are you going today?” says Pooh: “Well, that’s very odd ‘cos I was too. Let’s go together,” says Pooh, says he. “Let’s go together,” says Pooh.’
A Road trip of Road trips today. The stunning Ring of Kerry. Starting in Kenmare, this is a 110 mile circular route around the Iveragh Peninsular covering stunning views, charming towns, rugged forests, gushing waterfalls, all edged by the rolling, crashing waves of The Atlantic Ocean. It was a sublime journey, covering breathtaking land and seascapes. Key stages of the journey included the Coomakista Pass, Macgillycuddy’s Reeks, Molls Gap, Skellig Micheal in the Atlantic, Waterville village and Cahersiveen.
‘And some time make the time to drive out west … along the Flaggy Shore, In September or October, when the wind And the light are working off each other So that the ocean on one side is wild With foam and glitter…’
Day one of my Western Irish tour started in Clonakilty, birthplace of Micheal Collins (1890-1922), Irish revolutionary, soldier and politician who was a leading figure in the early-20th century struggle for Irish independence.
Next stop was Timoleague, a small village where the ruins of a thirteenth century Franciscan abbey stands picturesquely at the waters edge.
Kinsale, a harbour town with a maze of narrow streets and an eclectic mix of bars, restaurants and shops was the next stop.
Kinsale, Western Ireland.
It was raining hard during my visit here, but it’s Western Ireland and it’s October… It took nothing away from the beauty of the location.
Last stop of the day was Charles Fort, just outside of Kinsale. A star-shaped military fortress that has stood firm for centuries. It was raining even harder by now, but the fort was totally worth getting drenched for.
Despite being partially ruined, you could imagine the soldiers and their families living in this fortress.
There is sorrow enough in the natural way From men and women to fill our day; And when we are certain of sorrow in store, Why do we always arrange for more? Brothers and Sisters, I bid you beware Of giving your heart to a dog to tear.
Buy a pup and your money will buy Love unflinching that cannot lie— Perfect passion and worship fed By a kick in the ribs or a pat on the head. Nevertheless it is hardly fair To risk your heart for a dog to tear.
When the fourteen years which Nature permits Are closing in asthma, or tumour, or fits, And the vet’s unspoken prescription runs To lethal chambers or loaded guns, Then you will find—it’s your own affair— But… you’ve given your heart to a dog to tear.
When the body that lived at your single will, With its whimper of welcome, is stilled (how still!). When the spirit that answered your every mood Is gone—wherever it goes—for good, You will discover how much you care, And will give your heart to a dog to tear.
We’ve sorrow enough in the natural way, When it comes to burying Christian clay. Our loves are not given, but only lent, At compound interest of cent per cent. Though it is not always the case, I believe, That the longer we’ve kept ’em, the more do we grieve: For, when debts are payable, right or wrong, A short-time loan is as bad as a long— So why in—Heaven (before we are there) Should we give our hearts to a dog to tear?
A three part drama from the BBC, written by Emily Mortimer, based on the novel by Nancy Mitford and starring Lily James, Dominic West, Andrew Scott and Freddie Fox. Following Linda Radlett’s obsession for love and sex, between the world wars, it is fun, frivolous and very English.
‘…Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game’s afoot: Follow your spirit, and upon this charge Cry ‘God for Harry, England, and Saint George!’
Clémence Poésey as Elise Wassermann and Stephen Dillane as Karl Roebuck, the detectives
Based on the original Swedish series “The Bridge,” this British crime drama centers on British and French detectives who are forced to work together when a French politician is found dead inside the Channel Tunnel, sparking a complex cross-Channel investigation. This is very clever writing by the team comprising Ben Richards, Chris Yang, Jamie Crichton, John Jackson and George Kay.
Again a bit late to the party, but really enjoyed this.
A twisted fairy tale part Snow White, part Sleeping Beauty with women at the forefront of the tale. Sleeping Beauty is awoken by a kiss from the Soldier Queen- the prince is redundant and the dwarfs aren’t to be taken seriously. On her awakening we find that Sleeping Beauty put a counter-spell on the old woman, ensuring that she can never sleep.
A brilliant BBC radio dramatization narrated by Dame Penelope Wilton with Neil Gaiman himself as The Home Secretary.
“I hope that in the year to come, you make mistakes. Glorious, amazing mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re doing something.